{"id":1897,"date":"2025-06-12T00:10:50","date_gmt":"2025-06-12T00:10:50","guid":{"rendered":"http:\/\/www.www.good-broker.com\/?p=1897"},"modified":"2025-06-18T15:27:40","modified_gmt":"2025-06-18T15:27:40","slug":"emmanuelle-moureaux-visualizes-a-century-with-vibrant-100-colors-path-in-tokyo","status":"publish","type":"post","link":"http:\/\/www.www.good-broker.com\/index.php\/2025\/06\/12\/emmanuelle-moureaux-visualizes-a-century-with-vibrant-100-colors-path-in-tokyo\/","title":{"rendered":"emmanuelle moureaux visualizes a century with vibrant \u2018100 colors path\u2019 in tokyo"},"content":{"rendered":"

tokyo sees the opening of \u2018100 colors no.53\u2019<\/h2>\n

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\u2018100 colors no.53,\u2019 the latest installment in Emmanuelle Moureaux<\/strong><\/a>\u2019s ongoing \u2018100 colors path\u2019 series, has opened at Takanawa Gateway City in Tokyo<\/strong><\/a>. Composed of 2,400 vertical lines, each rendered in one of 100 precisely selected colors, the work is both a spatial structure and a temporal map, charting a century\u2019s worth of imagined futures.<\/p>\n

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The piece is installed in the newly developed Gateway Park by East Japan<\/strong><\/a> Railway Company, and marks the launch of Takanawa Gateway City, an urban complex built around a central transport hub in Minato Ward. As the first public installation unveiled with the complex\u2019s debut, \u2018100 colors path\u2019 sets the tone for a neighborhood defined by openness and movement. \u2018100 colors no. 53\u2019 will be open to the public until July 21st, 2025.<\/strong><\/p>\n

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images \u00a9
Daisuke Shima<\/a><\/p>\n

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emmanuelle moureaux\u2019s\u00a0map of Color and Time<\/h2>\n

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While Emmanuelle Moureaux\u2019s \u2018100 colors no.53,\u2019 reads as a shifting gradient from across the Tokyo plaza, its internal logic is revealed up close as an accumulation of numbers layered within a calibrated spectrum. This way, the Tokyo-based French architect<\/strong><\/a>\u2018s characteristic use of color is an architectural material rather than surface treatment. Each line is inscribed with a year, beginning in 2025 and continuing sequentially through 2124.<\/p>\n

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The structural rhythm of the work is defined by uniform spacing and repetition. Lines are suspended vertically to create a passage that is simultaneously transparent and immersive. The numbers printed on the lines come in and out of view as visitors move through the piece, a kinetic effect heightened by the optical interference patterns of overlapping colors.<\/p>\n

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Emmanuelle Moureaux installs \u2018100 colors path\u2019 in Tokyo\u2019s Takanawa Gateway City<\/p>\n

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a pathway carved through immersive color<\/h2>\n

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At the heart of Tokyo\u2019s \u2018100 colors path\u2019 installation is a central corridor which cuts through the colored grid. Emmanuelle Moureaux carves this passage to invite entry, allowing visitors to become momentarily absorbed in the spectrum of time. As people walk through the corridor, the visual rhythm shifts with their movement. It is a simple gesture, but one that transforms the installation from an object to inhabit into an environment to experience.<\/p>\n

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Inside, the work offers a tactile proximity to each color and year. The vertical density flattens at certain angles and deepens at others, underscoring the relationship between time and space in architectural perception. The effect is neither theatrical nor didactic \u2014 it is precise, open-ended, and responsive to movement.<\/p>\n

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the installation consists of 2,400 vertical lines arranged in 100 precisely selected colors<\/p>\n

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Beyond the park installation, the concept of \u2018100 colors path\u2019 has been extended throughout the station district. Moureaux designed related graphics for both north and south ticket gates of Takanawa Gateway Station, as well as the surrounding street flags. A complementary augmented reality experience titled 100 colors city allows visitors to engage with the installation digitally, activating the concept through smartphone interaction.<\/p>\n

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During the exhibition period, a public workshop invited participants to search for color in their everyday surroundings \u2014 an approach that reinforces the project\u2019s central theme of color as a framework for observation and time. This alignment between physical installation and public programming strengthens the architectural relevance of the work in its urban setting.<\/p>\n

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a central corridor invites visitors to walk through the immersive color field<\/p>\n

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Moureaux\u2019s 100 colors path continues her exploration of how color can be used to shape physical space and collective imagination. The numbering of each line, paired with a clear chronological arc, gives structure to what could otherwise be a purely aesthetic field. This linking of color and time brings a conceptual framework that is visually inviting, but also conceptually complex.<\/p>\n

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The installation references both the future and the present. The decision to begin during Takanawa Gateway City\u2019s inaugural year of 2025 grounds the piece in its immediate context. Meanwhile, the choice to extend one hundred years forward transforms the project into a durational meditation on memory and urban growth.<\/p>\n

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each line is engraved with a year from 2025 to 2124, creating a spatial timeline of 100 years<\/p>\n

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\t\t\"emmanuelle-moureaux-100-colors-tokyo-designboom-06a\"<\/p>\n

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the numbers appear and disappear as viewers move for a dynamic, perspective-led experience<\/p>\n

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an AR extension called \u2018100 colors city\u2019 invites digital interaction via smartphones<\/p>\n

\t<\/p>\n

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\t\t\"emmanuelle-moureaux-100-colors-tokyo-designboom-08a\"<\/p>\n

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the installation uses color as an architectural material to organize time and space<\/p>\n

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project info:<\/strong><\/p>\n

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name:\u00a0<\/strong>100 colors no.53 \u2018100 colors path\u2019<\/a><\/p>\n

architect:\u00a0<\/strong>Emmanuelle Moureaux<\/a> | @emmanuellemoureaux<\/a><\/p>\n

location:<\/strong> Gateway Park, Takanawa Gateway City, Tokyo, Japan<\/p>\n

on view:\u00a0<\/strong>March 27th \u2014 July 21st, 2025<\/p>\n

photography:\u00a0<\/strong>\u00a9 Daisuke Shima<\/a> | @daisuke_shima_photography<\/a><\/p>\n

The post emmanuelle moureaux visualizes a century with vibrant \u2018100 colors path\u2019 in tokyo<\/a> appeared first on designboom | architecture & design magazine<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

tokyo sees the opening of \u2018100 colors no.53\u2019 \u00a0 \u2018100 colors no.53,\u2019 the latest installment in Emmanuelle Moureaux\u2019s ongoing \u2018100 colors path\u2019 series, has opened at Takanawa Gateway City in Tokyo. Composed of 2,400 vertical lines, each rendered in one of 100 precisely selected colors, the work is both a spatial structure and a temporal […]<\/p>\n","protected":false},"author":1,"featured_media":1899,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[],"_links":{"self":[{"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/posts\/1897"}],"collection":[{"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/comments?post=1897"}],"version-history":[{"count":3,"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/posts\/1897\/revisions"}],"predecessor-version":[{"id":1906,"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/posts\/1897\/revisions\/1906"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/media\/1899"}],"wp:attachment":[{"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/media?parent=1897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/categories?post=1897"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.www.good-broker.com\/index.php\/wp-json\/wp\/v2\/tags?post=1897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}